A former hitman named Bruno steals some cash from his mobster uncle. He plans to go to Tahiti, but things go wrong and he finds himself headed for Vegas via Death Valley in a comandeered airport limousine, pursued by his uncle's henchmen and accompanied by a limo driver and an enigmatic blonde.

A woman is diagnosed as a sociopath and tries figure out how to live her life with this information about herself.

A journalist working in the same newspaper as her husband, and intellectual conflict arises between them because of the differences between the nature of men and women. The series shows the relationship between the spouses, revealing many attitudes of the “Eastern Man”.

"From the day I was born I had to fight to survive. I fought everyone and everything that came in front of me. On the streets, confessions are made in Blood. They say that when you confess your sins, only then can you be redeemed. This is my redemption. This is my confession." (Eddie Castillo 2005)

The making of "Resident Evil: Apocalypse."

A young Jehovah's Witness believes the ultimate punishment will be inflicted upon him for typical teenage activity. His life is rather grim until infatuation with a friend's older sister opens his eyes.

Katya Livingston, a self-centered, obnoxious and conceited 28-year-old ad sales exec, won't let anything or anyone stand in her way in getting to the top of the San Francisco social ladder. When tax inspectors question her claims Katya is forced to keep a financial diary and finds time to add details about her friends, enemies and lovers all from her unique point of view.

Philip Johnson has always been on the forefront of stylistic change, and his property in New Canaan, Connecticut, is a kind of laboratory where Johnson is his own best client. It was there that he built the famous “Glass House” he still resides in. This building has no walls (the landscape became “expensive wallpaper”); an accompanying guest house, by contrast, has no windows, though it is light and sensuous inside. We visit these, as well as the gallery which houses Johnson’s extensive collection of contemporary art on its revolving walls. 　　“My latest folly”, says Johnson, “is to build buildings without straight lines…It’s the first time I’ve had a building I can’t draw and have to design partially as it goes up.” This new structure is at the core of the video, and we get to see the sculptural building from its initial stages to completion. The video depicts Johnson at work and the importance of the architectural act, the actual construction, and how the buildings interact with their environment, in this case the autumn leaves or snow of New Canaan.